I spent some time this morning with PixInsight on a stack of M-42 images. This is the result. PixInsight is an impressive, though oddly challenging, piece of software. The interface still eludes me at times. The results are splendid, however.
This image was taken through a Nikon D-810a at f/4, 200mm, tracked on an iOptron mount in gusty winds. This piece is the result of three major processes:
- All images were aligned using stellar centroids.
- The images were then stacked… this is an image integration of 100 seconds worth of exposures.
- PixInsight was then used to do a Dynamic Background Extraction to essentially perform a flat field thus removing the lens’ vignetting. I still can’t get over this process: no flat fields required… though I bet real flats would result in a better overall image.
The camera does its own internal bias and dark subtraction. The image was then brought into PhotoShop for adjustment to levels and cropping.
Now… compare that colorful image with the monochrome one: that was taken way back in 1986 on Tri-X Pan film pushed to about 1000 ASA by boiling it in nitrogen. The image is a 20 minute exposure through a Celestron C-8 at f/10, manually guided with an illuminated reticle eyepiece. I developed this in my bathroom using duct tape and towels to block all external light from entering.
What a difference! New technology brings better sensitivity and a whole new world of imaging…. but we knew this. I’ve been playing with CCDs since the early 1990s. No surprises. The real surprise? Cost! All this tech adds up in cost. I am not really sure that it saved me a whole lot of time to make the new image with the new tech… perhaps if both images were color? Then, yes, the new tech has saved me time. Simple? M’eh. It’s about the same level of technical detail. It ends up being about one’s knowledge base: software or film developing? You choose. Certainly some of my best images were taken with film. Which do you prefer? It’s totally up to you. Like vinyl records, film is making a comeback, but hasn’t made its way to the realm of astrophotography again. I am pretty sure that CCDs and CMOS sensors are here to stay for astro-art imaging.